As she explains: One essential and telling difference between learning from a style manual and learning from literature is that any how-to book will, almost by definition, tell you how not to write. In that way, manuals of style are a little like writing workshops, and have the same disadvantage a pedagogy that involves warnings about what might be broken and directions on how to fix it as opposed to learning from literature, which teachers by a positive. To prove her point, she uses examples from great fiction to highlight good writing techniques and to trouble aphorisms like always write short sentences. Rules like this will be discussed and then followed with examples of great writers breaking them with gay abandon. You see, ms Prose claims that, past a certain point of competence, you need to learn to pay proper attention to other writers prose in order to become a great writer. Now thats advice that you hear a lot, but whats great about Prosess book is she tells you how to. For example she begins her chapter on words with a story about her English teacher asking the class to circle every variation of eye, sight or looking in King lear. She recalls her sense of shock discovering the levels of meaning this simple exercise squeezed out of the Shakespeare play.
Reading, like a, writer / Nejlevnější knihy
She starts each chapter with a story from her life as an avid book reader with such gentle humour that the writer book just grabs hold of you and wont let. Before i tell you what Ms Prose has to say i have to make a confession of sorts. When I was doing my Phd i found it almost impossible to read fiction at least fiction that forced me to think in any way. During this three year period I tended to read popular science for fun. But for true brain downtime you know, the type which sends you to sleep at night i turned to trashy books. I have never quite recovered from this aspect of the. P ermanent h ead, d amage experience and i am sure my husband is mildly appalled by the kinds of things he sees on my tbr pile beside the bed. Reading like a writer seemed dedicated to the topic of learning to read better quality fiction, so i thought it might help me with my little trashy books issue. Turns out there is much in this book that is useful to any kind of writing. Part of the reason is that the approach taken by Ms Prose is deeply informed by her experience as both a writer and teacher.
Whats a phD student to do? Anyway, the other day a paperback in the creative writing section by Francine Prose called. Reading like a writer caught my thesis eye. I vaguely recalled hearing her interviewed on the radio a few years ago, so i borrowed it even though it wasnt strictly on topic. Well what a gem this book. As I have said before if a book on writing doesnt make you want to sit up and read it all night you should probably just throw it out (with the possible exception of Joseph Williams Elements of style). Francine Prose has a lovely understated writing style which must have taken decades to perfect.
I complained about feeling a bit poorly and the boss was essays more than happy to hurry me out the door. Which is why i find beauty myself at home, on a sunny tuesday afternoon, highly medicated. Whats that I hear you say? Perfect time to write a whisperer post? Why not but I dont feel up to delving into my reader request pile, so i will do a book review. Part of our mission at the whisperer is to take some of the PhD reading burden off your shoulders, specifically by reviewing books on writing and doing your thesis. The other day in the library i noticed just how many books there are on this topic. Here is a snapshot of just two of the shelves in the 800s section in rmits library and these are books just on editing for goodness sake.
Scott Tender is the night Words Hemingway ernest The sun Also rises Sentences Hemingway ernest a moveable feast Sentences Bowen Elizabeth The house in Paris Detail Nabokov vladimir Lectures on Russian Literature Chekhov nabokov vladimir Lolita narration dialogue mandelstam Nadezdha hope Against Hope: a memoir. Margaret sayers Peden) Pedro paramo courage taylor Peter a summons to memphis Narration Salinger. Franny and zooey detail Gaddis William The recognitions Gallant mavis Paris Stories Narration Calviino Italo cosmicomics Fox paula desperate Characters Paragraphs Herbert Zbigniew (trans. Czeslaw Milosz and Peter Dale Scott) Selected poems courage o'connor Flannery wise Blood Narration Gesture o'connor Flannery a good Man is Hard to find and Other Stories Words o'connor Flannery collected Stories Detail Yates Richard revolutionary road Words Marquez gabrial Garcia one hundred years. Aubyn Edward Some hope: a trilogy gesture. Aubyn Edward Mother's Milk dialogue wood James Broken Estates: Essays on Literature and Belief diaz junot Drown Gesture Shteyngart Gary The russian Debutante's Handbook paragraphs Packer zz drinking Coffee elsewhere gesture pautovsky konstantin (trans. Joseph Barnes) years of Hope: The Story of a life External links edit. It seems i am the third person in the School of Graduate research to be struck down by a flu like thing in less than 24 hours. At least I think.
Reading, like a, writer, book club in Eugene Oregon
David McDuff) The Kreutzer Sonata and Other Stories Tolstoy leo (trans. Aylmer maude) The death of ivan Ilych and Other Stories courage tolstoy leo (trans. Constance garnett) Anna karenina tolstoy leo (trans. Constance garnett) War and peace tolstoy leo (trans. Rosemary Edmonds) Resurrection Alcott louisa may little women Twain Mark The Adventures of Huckleberry finn Narration Baldwin James Vintage baldwin Paragraphs James Henry The portrait of a lady gesture james Henry The turn of the Screw Narration Chekhov anton (trans. Constance garnett) Tales of Anton Chekhov: Volumes 1-13 Detail Gesture Chekhov courage Chekhov anton (trans. Constance garnett) a life in Letters Detail Strunck william The Elements of Style, illustrated Sentences Proust Marcel (trans.
Lydia davis) Swann's way gesture Stein Gertrude The autobiography of Alice. Toklas Sentences woolf Virginia on being Ill Sentences joyce james Dubliners Sentences Gesture kafka franz (trans. Malcolm Pasley) Metamorphosis and Other Stories Detail Kafka franz The judgement Gesture kafka franz In the penal Colony bilingual Stout Rex Plot it yourself Paragraphs Mansfield Katherine collected Stories of Katherine mansfield Words Gesture Chandler raymond The big Sleep Sentences Gesture akutagawa ryunosuke (trans. Kuwata and Tashaki kojima) Rashomon and Other Stories paustovsky konstantin years of Hope: The Story of a life paragraphs West Rebecca The birds Fall Down Sentences West Rebecca Black lamb and Grey falcon: a journey through Yugoslavia sentences Babel Isaac (trans. Walter Morrison) The collected Stories Paragraphs courage hartley. The go-between Gesture fitzgerald. Scott The Great Gatsby words Fitzgerald.
Sir george young) Oedipus Rex Anonymous (trans. Sayers) The song of Roland Miguel de cervantes (trans. Tobias Smollett) Don quixote william Shakespeare king lear John Milton Paradise lost Samuel Richardson Pamela: Or Virtue rewarded Johnson Samuel The life of savage sentences Gibbon Edward Decline and Fall of the roman Empire austen Jane sense and Sensibility paragraphs Character Austen Jane Pride and. Martin Greenberg) The marquise of o- and Other Stories Sentences Character Stendhal (trans. Roger Gard) The red and the Black paragraphs Balzac Honore de (trans.
Kathleen raine) cousin Bette gogol nikolai (trans. Richard pevear and Larissa volokhonsky) dead souls: a novel courage dickens Charles Dombey and Son Narration Dickens Charles Bleak house Bronte Emily wuthering heights Turgenev ivan Sergeevich (trans. Isaiah Berlin) First love eliot george middlemarch Character Melville herman Bartleby the Scriverner Paragraphs Melville herman Moby dick melville herman Benito cereno Flaubert Gustave (trans. Geoffrey wall) Madame bovary courage Flaubert Gustave (trans. Robert Baldick) a sentimental Education Character Dostoyevsky fyodor (trans. Constance garnett) Crime and Punishment Narration courage tolstoy leo (trans.
Reading, like, a, writer, summary - four Minute books
As a creative writing teacher, she would disseminate advice to her students after reading thesis their stories. As a fan of Chekhov, she would read his short stories and find examples of how he would successfully break the "rules" of fiction writing, contradicting something she recently told her students to do in their writing projects. Prose also discusses how Chekhov teaches the writer to write without judgment; she tells how Chekhov practiced not being the "judge of one's characters and their conversations but rather the unbiased observer.". Chapter Eleven: reading for courage Prose discusses the fears writers may have: revealing too much of themselves in their writing; resisting the pressures that resume writers must write a certain way; determining whether or not the act of writing is worth it when one considers the. She concludes her book by stating that the writer may fear creating "weeds" instead of "roses." Continuing the metaphor, she says reading is a way for the writer to see how other gardeners grow their roses. Books to be read Immediately Prose includes a list of book recommendations, many of which have selections from those that are used as examples for the concepts she discusses. Books to be read edit here are the books in mostly chronological order. The chapters in which they are discussed are in italics.
austen, prose discusses how writers can develop characterization. She mentions that Kleist, in his "The marquise of O—" ignores physical description of the characters, but instead "tells us just as much as we need to know about his characters, then releases them into the narrative that doesn't stop spinning until the last sentence.". Chapter seven: dialogue, prose begins this chapter by dispelling the advice that writers should improve and clean up dialogue so it sounds less caustic than actual speech. She believes this idea on dialogue can be taken too far and that dialogue can be used to reveal not only the words on the surface, but the many motivations and emotions of the characters underneath the words. Chapter Eight: Details, using examples from literature, prose explains how one or two important details can leave a more memorable impression on the reader than a barrage of description. Prose argues that gestures performed by fictional characters should not be "physical clichés" but illuminations that move the narrative. Chapter Ten: learning from Chekhov, prose gives examples of what she has learned from reading.
She reminds the buy reader that words are the "raw material out of which literature is crafted." Challenging the reader to stop at every word, she suggests the following question be asked: "What is the writer trying to convey with this word?". Chapter Three: Sentences, prose discusses how "the well made sentence transcends time and genre." She believes the writer who is concerned about what constitutes a well-constructed sentence is on the right path. Prose mentions the importance of mastering grammar and how it can improve the quality of a writer's sentence. In this chapter, she also discusses the use of long sentences, short sentences, and rhythm in prose. Chapter four: Paragraphs, prose discusses that, just as with sentence construction, the writer who is concerned about paragraph construction is stepping in the right direction. She states that the writer who reads widely will discover there are no general rules for building a well-constructed paragraph, but "only individual examples to help point the writer in a direction in which the writer might want.". Chapter five: Narration, when determining point of view, Prose says audience is an important factor.
Reading, like a, writer, writing, like
Reading like a writer is a writing guide by American writer. Francine Prose, published in 2006. Contents, background edit, subtitled "a guide for people Who love books and for Those Who want to Write Them — prose shares how she developed her writing craft through writing and reading. She uses examples from metamorphosis literature to demonstrate how fictional elements, such as character and dialogue, can be mastered. Summary edit, chapter One: Close reading, prose discusses the question of whether writing can be taught. She answers the question by suggesting that although writing workshops can be helpful, the best way to learn to write is to read. Closely reading books, Prose studied word choice and sentence construction. Close reading helped her solve difficult obstacles in her own writing. Prose encourages the reader to slow down and read every word.